Tag Archives: Tujunga Wash

Days of the Dead — Beautiful Buckwheat Burnished Brown

To wrap up the annual celebration of mortality, the View explores the mythic theme in the California Floristic Province. Every year the sun brings beautiful buckwheat to rusty-brown perfection, that is, death, around Halloween. It signals the season the way fat orange pumpkins do back East; and the fall colors of roasting buckwheat are as gorgeous as maple leaves. For a few weeks, the floors of canyons and arroyos are streaked with bloody red stains, where the winds and the ants gather drifting buckwheat chaff. Denn alles Fleisch, es ist wie Buckwheat.

Eriogonum fasciculatum. California buckwheat, a keystone species of scrub and chaparral. Its grains make a very edible flour; pioneers made batter for pancakes by sifting the tiny grains from the sun-burnished flowers. The Tongva and Tataviam taught them how; this was a staple in their diet. It is highly nutritious, with a pleasant, nutty, earthy taste. In the Missions, the Neophytes practically had to force the Franciscans to allow them to add it to their atole stewpots.

The flowers are worshiped by bees, who turn it into California’s tastiest honey. (I’ve seen bee hive crates stationed near stands of buckwheat in the Verdugos and in Little Tujunga Canyon. I wonder if I can demand these varietals at the Studio City Farmers’ Market? Watch this space…)

The ants also make this a staple. They gather the crop, thresh out the chaff, and store the grains underground. Buckwheat often grows with sagebrush and white sage, as here at Tujunga Wash. See how clever the ants are at separating and storing their foodstuffs:

Viewing Labor On The Great Wall Of Los Angeles

Happy Labor Day! Celebrate the mythic history of Labor in California: take in View a select few of the labor-related panels from the World’s Longest Mural.

Sharp Viewers remember: from 1974-1984, the visionary Southern California artist Judith Francisca Baca and her collaborators at S.P.A.R.C. re-made an ugly stretch of the Tujunga Wash Flood Channel with a vision; and with her own labor, plus the labor of numerous others especially the schoolchildren artists. The result is a masterpiece of local history painting, unique in the world.

Labor upon land, is the human story. Whose land it is, and who gets to labor upon it, and who doesn’t, is one of the great themes of Judith Baca’s mile-long work.

Let Paul Robeson have the last word on labor in America; the quote is his.

From Pacoima to Cahuenga by Tujunga in a Panga: The 1938 Flood

The great snake of the Tujunga Wash rampages across the Valley, through North Hollywood and the farmland on its outskirts. This is the land that became Valley Village.

The street bisecting the top third of the photo seems to be Laurel Canyon Blvd., then known as “Pacoima Blvd.” after its destination, Pacoima, the foothill district at the top of the Valley. Pacoima was the marshy pooling plain of the various Tujunga waters. In this photo, Pacoima is at top right.

Pacoima means “the entrance” — meaning, the entrance to the huge canyons of the Tujunga watershed. For the Tataviam, Pacoima was a welcoming gateway, a lobby where their various canyon clans met and traded, a game-rich forecourt, one of their favorite and most sacred home territories.