https://www.mentalfloss.com/article/504120/how-alexander-hamiltons-house-got-moved
A fascinating article on saving Alexander Hamilton’s house in Harlem in 2008.
Soon after it re-opened on its new site, we got a chance to visit the Grange at St. Nicholas Park, just around the corner from the original site. It was cold but sunny; breezey. The world economy had collapsed in the fall; and Pres. Obama had been elected and inaugurated. Nevertheless many of the exhibits were actually proud GOP press releases and even a standee of Pres. Bush, with framed letters thanking all the Wall Street banks and financiers who donated, and others from all the already-disgraced Wall Street banksters who bragged of selling their puppies for dimes to contribute. And all thanks to the generosity of all the Republican officers of state, including Pres. Bush and Mayor Giuliani and the Bloomberg and even little Timmy Geithner, the Boy Whiz Secretary, who got all the inefficient big-government red tape cut to preserve this shrine.
I was dumfounert. Here were Republicans and Republican funders, whom I had heard for years trashing history and cutting preservation budgets and closing parks and tearing down historic sites right and left, whistle and it’s gone, sell ’em off if they can’t pay their own way. Now, they were cheering themselves hoarse for getting the government to move its ass and preserve this particular Federalist gem as a shrine. (The View is all in favor of Federalism, in shrines, houses, or countries, I shouldn’t have to say.) But, it was all part of a well-funded, including by the Heritage Foundation and the Koch Brothers and other right-wing types, Hamilton renaissance — a general Hamilton moment, which included several new biographies, including Ron Chernow’s, and several big seminars to examine Hamilton’s Legacy, and it was a big shot in the arm for the Original Construction legal movement, which “Hamiltonian” judges are now being appointed en masse.
None of this is a conspiracy theory, but a fact, which was well-publicized at the time. There was even talk of re-designing the currency to make Hamilton even more popular and prominent among the Founding Fathers. (Hint: what if we removed Washington from the 1 dollar bill, and replaced him with You Know Who? Not enough poor people ever get to look at a tenner, was the logic.)
Anyway, I was only a little surprised a few years later, right at the end of Pres. Obama’s administration, which had given away untold trillions to the banks and locked up nary a bankster, when there appeared a Hamilton musical. Of course I was excited, and puzzled, but jangled and jazzed, by the cast album when the Albalas introduced me to it. I was swept up on whatever glittering lyrics I could catch, and bopped to the relentless enfilade of beats. But again, I was dumfounert — and remain so, at the public mania, except to understand that people love money like God, and God must have invented money so God must be Alexander Hamilton, and worshiping him, he will grant me more wealth. Most people just stare at me when I ask (so I ask the breeze): isn’t it ironic that a project hyped to get impoverished immigrant kids into the theater — and into the theatre — was about the guy who officially nailed down forever and all time that America would be a brutal class-layered high-immigration, low-wage industrial exploitation society? Isn’t it funny that this show was, moreover, offering tickets starting at 1,600 bucks the pair; with a few lucky free lottery winners at every performance to swell sales further? No dude, they’d say, waving their metaphoric hands in my proverbial face, you don’t get it, it’s about Alexander Hamilton! I know I know…how he got his shot, and stayed in school, and learned the ways of the rich and beat them in cleverness and started with nothing and got to live in a great big fine house, all of which admirable things, yes, of course, he certainly did do, thank you, Mr. Giuliani.
https://www.blackagendareport.com/hamilton-and-minstrel-show-remix
Today I came across this essay on Black Agenda Report, and you would be edified to click. The writer takes an angle on the black-and-brown casting, rather than on the fudged debt-money-finance angle, but it is a similar critique. Anyway it’s not a review, but it’s the best piece on the show Hamilton, that I’ve seen.










































































