Category Archives: redevelopment

I., Van Nuys

PART TWO OF “VAN NUYS — A VIEWING

The Hub of the San Fernando Valley is flattered, frankly, to bear the Van Nuys name; this may be why it has never changed. (The View regrets the loss of Lankershim; but that burg went “Hollywood.” Show people, shudder.)

Remember Isaac was technically not the founder of the City of Van Nuys but the wheat farmer who sold out to the developers. Technically, too, there never was a City of Van Nuys; it is, and was planned as, Los Angeles. But Van Nuys knew this. He understood regional planning from the ground up and it is a mistake, as has been suggested, to think of him as a rube gulled by the Chandler syndicate or flattered into reducing his price by the developers’ offer to name the town after him. If anything, the Van Nuys and Lankershim names were premium branding; their commercial success (agro-biz) had made them rural celebrities at a time when almost 80 percent of Americans were farmers and 99 percent were desperate to get rich. The syndicate’s development planned mostly 40 acre farmsteads with strategically-placed small-lot market-towns. They hoped to attract young white Eastern farm families fleeing the frost, good kids starting out but who couldn’t afford land back home. Little capitalists — this was explicit — eager for a warm, sunny spot to claim their “little land and a living” (Bolton Hall’s phrase, meaning freedom through farming from debt and wage-slavery). Isaac Van Nuys signed off on, allowed his good name to be put on, plans for a modern, model farm-servicing and depot buckle in an integrated agricultural belt, irrigated by nearly free public water, main streets blazing with light at midnight, linked by clean electric rail, to serve a growing metropolis. Isaac was, individually and in partnership with his brother-in-law James Lankershim, already heavily invested in booming Downtown.

Ike had known and dealt with the Huntingtons for years as a leading farmer in Los Angeles County, through whose land passed the SPRR. He had bought (or, I believe, advantageously swapped for) the old Southern Pacific Depot on the old bottomland of the LA River downtown, so that his new grist-mill enterprise “Los Angeles Farming and Milling” could be most advantageously placed right on the tracks between the Valley and San Pedro. In this sense, he was one of the planners of the vision. So the Valley annexation plan as a whole and Van Nuys’s land sale were not “wheel estate” flim-flummery. Rather, all the players were informed by, and self-consciously in-line with, the most progressive, up-to-date, economic, organic and holistic urban design thinking of the time. Remember civic theorist Patrick Geddes?

The drawing above is the famous “Geddesian Valley Section.” The other illustrations are also foundational to modern urban studies. Geddes wrote volumes of essential essays and studies, but his prose is tough sledding for laymen. His gift was inspiring an organic vision of cities through right brain engagement. The Boosterism of the Van Nuys promotional image may be corny, but it clearly reflects Geddes’s ideas.

Van Nuys was a key part of a planned Greater Utopia, Ltd. But that meant, it was condemned from the start to be the dusty, Babbittty, railroad farm-town part of Utopia. By plan, Van Nuys was the back service porch of gilded Downtown Utopia, where the nobs would forever guzzle champagne, over the hill and far away. Van Nuys is a Potemkin prairie village: it would never, could never, grow to overtake Downtown in commerce and real estate values, no matter the citizens’ thrift or ambitious industry. Early investors might not have thought about it too clearly, but they could never hope that someday their corner of Van Nuys would be the new booming “Boardwalk and Park Place,” full of hotels. Van Nuys proved the point; Like Pio Pico before him, he brushed off his last ceremonial pair of dusty trousers — his hard farming days of handling a team of twenty mules from the dusty box seat of a combine had gone years ago— and he moved back to LA to throw his pelf on the pile Downtown. Ike spent the last year of his life in silk pajamas unrolling blueprints, planning to corner the era’s Boardwalk and Park Place, 3rd and Spring, supervising construction of this:

The I.N. Van Nuys Building, at 3rd and Spring, LA’s hottest and most-marbled office block. 1912.

Van Nuys sold the ranch in 1909; the town opened in 1911, and Mr. Van Nuys died in 1912 — a few weeks before the I.N. Van Nuys Building opened. He died, also, a few weeks before the first Pacific Electric light-rail train arrived in Van Nuys and rolled passengers up Van Nuys Boulevard (then called Sherman Way). Ike possibly never set foot again in the Valley, never saw the new place called “Van Nuys.” He isn’t to blame for the sprawl, the blight, the anomie of today’s automobile graveyard Van Nuys. For Isaac, eternally, the town with his name was a four-square model farm town, with all the hook-ups a family needed to just move in and start plowing. And for years, it was.

Van Nuys The Man is absolutely absent from popular history as a personality — no memorable words, no bloviations on issues of the day; no hints of his pleasures and peeves, no memoir revealing his evolving sense of himself as a ‘player’; no scandals or rivalries in a town full of them. But this very absence to Modernity, is like the absence of sharp marble chips to a polished sculpture within. It reveals a hard core of values once so common-sensical and traditional they seem colorless today: he was sober, determined, loyal, ambitious, thrifty, patient, enterprising, dogged, nimble, polite, conservative, free-thinking, closed-mouthed, and open-minded. He was quiet and hoed his own row, minded his own family’s interests, yet everywhere he founded and built public things that made LA a first-class city and himself a millionaire. He was good with horses, a proud Mason, a father of three, and he made a fine husband to Susannah Lankershim, for whose mother’s sake he consented to become a public Baptist. He watched the weather, planted seeds and they grew. He was an upstate New York farmer from the old Dutch stock.

NEXT PART: How the name Van Nuys came to be permanently stamped on the dusty lower-left corner of our map, turns out to be a very rich land story indeed if we look into his Dutch ancestors’ experience, and Isaac’s own parents’ experience, and how they found land to farm. It is a Tale of Three Valleys — the San Fernando being the third. The progress of the Van Nuys family encompasses our whole history as an American people. It shows striking continuities, and illuminates pivotal moments in the rise of capitalism and modernity. It is the history of America itself. So View soon, THE HUDSON VALLEY VAN NUYSES

Horry County Economic History In A Video Lecture!

youtu.be/ctOINubEWn8

Like all video lectures, this one goes on too long, with endless unnecessary polite introductions. The interesting part begins when Horry County Museum Director, Walter Hill, takes over, at 5:00 minutes in. I think I recognize most of the sites here, just from the kayaking around. You will too, from the blog. Now learn what important industries all those weather-beaten shacks used to house!

The Bucks’ Henrietta, pride of Bucksport, SC and Bucksport, ME
The “Impassable Bays” are now Carolina Forest!

New Copperopolis? Goldsborough? Silverberg…?

In 1927, at the apex of Hollywood’s Art-Deco silent movie Golden Age, sleepy Lankershim was upgraded to “North Hollywood.” And the Keystone Studios’ old keystone, Mack Sennett, led investors to buy the Laurelwood tract of the old Lankershim lands, adjacent to the newly-styled NoHo. Just where Laurel Canyon spills down the Hills onto the banks of the Mighty Los Angeles, he opened ‘Mack Sennett Studios.’ (Later, Republic; then MTM; now CBS.)

The dream factory was only the centerpiece of an entire planned community, the Valley’s first office-park/retail-strip/tract-home automobile suburb.Sennett chose his land well: this is one of the most temperate, healthful, convenient, and visually expansive bits of real estate in California.

Sennett gave his sylvan glens and lush riverbank house-lots a jazzy name that was catnip for Hollywood’s cultural-creative yuppies: ‘Studio City.” Dusty old Camino Real got its kick-line of Baja fan palms; Ventura Blvd. remains one of LA’s swankiest and most iconic strips.

The point is it’s a bizarre place to find a copper porphyry! (Don’t roll your eyes, P.R., you knew geology was coming.)

But as we’ve seen, the Santa Monicas are exactly the sort of place to expect to find a copper porphyry. Rather, call them IOCG Deposits, as the investors’ brochures do (Iron oxide, copper, gold, that is).

The ridges and pound-cake hills of Laurel Crest along Mulholland Drive near the Overlooks, contain old magma tubes, breccia-filled feeder pipes, conglomerate columns and various other intrusive sills and dikes. This is plumbing that has developed over the past 15 million years: residual intrusive volcanics from the forces of collision and compression, thrust and subduction, rotation, folding, fracking, and cracking.

The brown breccia is dense, nicely concentrated chalcopyrite. The most dense, the most cupric copper ore, is probably located in the three or four feet below Mulholland Drive.

Old volcanic tubes, as well as faults, of which there are many here, can be siphons for deep hot acid brine. Deep hot acid brine when pushed up near the surface, into the cool meteoric groundwater cycling zone, creates thermal and chemical reactions that create dispersed, and over time concentrated, copper, lead, nickel, gold, etc. deposits. Molybdenum. Zinc. But here…copper.

It seems that just a few months ago the hills started — or certainly, restarted, after a dormancy — mineralizing. My guess is the July, 2020 Pacoima thrust-fault 4.4 earthquake forced opened fault valves, or closed others, or both. Something in the plumbing changed. When the rains came after that — especially a gully-washer rain in December — it may have stripped the topsoil cap, reducing slightly the sealing — ceiling — layer of turf. With a water table now high enough to draw the brines up to the rocky roadside ridges, and these awesome structures are revealed. Though it had been weeks since there was any rain, note the porphyry hill is still trickling rivulets of acidified water:

The Overlook here features conglomerate boulders found on-site. It’s easy to dismiss their markings as grafitti: gooey white or powdery gray, blue or teal, red, magenta, and black streaks on surfaces. They aren’t defacement: they are minerals, copper relatives: bornite, malachite, chrysocolla, azurite, cuprite, chalcite.

The View will mention, but not dwell upon, the ironies and implications of porphyries appearing in the Hollywood Hills. The rich get richer; but to own their wealth they’d have to destroy their Paradise. Also, are there potential toxicities to the Los Angeles river which drains the Hills? Are there bad-air dangers to homeowners above, or motorists cruising Mulholland, or Overlook Viewers from sudden off-gassing events? Are these re-emergent processes just a quick residual one-off event, a last hurrah, a blip from the recent temblor? Or have homeowners just loaded their yards in the Hills with so much piped-in sprinkler water since 1915, that we’ve re-set the water table and kickstarted a new age of copper formation? Is Studio City yesterday’s movie colony, or tomorrow’s burnt-over strip-mining district? Watch this space, and see!

Black History In Santa Monica

LOCAL HISTORY DEPT.

This is one of the best local history articles I’ve read in a while; it filled in huge gaps in my knowledge of a place I thought I knew intimately. If there is any Patient Reader with a direct line to Santa Claus: please ask him to support local journalism in LA this year, with an LAist donation. It’s worth it just for this article alone.

https://laist.com/2020/12/23/black_santa_monica_history_vintage_los_angeles.php

I lived for a few fantastic years in my twenties on 4th Street just above Rose. Our apartment house was just over the border of Venice, so my daily life straddled this old Black neighborhood of Ocean Park and the old Black neighborhood of Venice, Oakwood. All of these were a few blocks from, indeed overlapped with, the old Gay neighborhoods around the music-dance-dine-and-drink nightlife of Ocean Park pier, and the poet-and-artist colonies along the Canals and the walk-streets. When I arrived in the late eighties, these cultures were dead but still warm — or rather, I showed up just as the awesome but fleeting ghost of this old beach culture was leaving the corpse. My God — why was this amazing place, with its funky/grand architecture, magnificent beaches, diverse attractions, and cheap rents lying empty, vacant, forlorn? It was part of the mystique of the place it took me years to really understand. And believe me, once gentrification sets in, YOU SUDDENLY UNDERSTAND. The old Belmar, Ocean Park, Oakwood, Canals didn’t die, they were killed so richer people could move in. Sic semper Californienorum.